On the shore's of Lake Tekapo




Church of the Good Shepherd

It is not too difficult to understand why so many visitors feel drawn to this little church, located on the southern shore of Lake Tekapo, deep in the Mackenzie Country.
Inside, one can stand in the aisle and absorb the breath taking view, framed through a north-facing window.  In the foreground, sunlight sparkles on the crest of small white tops, whipped up by a sudden gust of wind across the lake.  In the distance, rugged peaks of the Southern Alps, expose a fresh coat of snow, silhouetted against a backdrop of descending storm clouds.

It was Reverend W. Davies, Vicar of the Mackenzie Parish, up until 1935, who was the instigator of this church.  It was a chance remark I believe, made over a cup of tea after a Sunday Church Service held during the early 1930s, at the Simons Hill homestead.
“Why can’t we build a church at Tekapo,” asked the vicar of one of his parishioners, “we have most of the material to hand?”  With a little humour he continued, “even if we can’t afford furnishings, there are plenty of kerosene boxes around, they’ll do to sit on for a start.”

I know the enthusiasm of those folk who choose to live in the Mackenzie Country and that church, to all intentions, would have been almost completed, bar the finishing touches by the time afternoon tea was over.
However, there was a lot to do and a lot of people to see.  Reverend Davis, the bit firmly clasped between his teeth, his ebullience became infectious throughout the whole of the Mackenzie.  It was due to his determination the initial building committee was up and running so soon.

Mrs Norman Hope, who at the time lived at the Grampians sheep station, an artist of some considerable note and member of that inaugural committee, fashioned a model of the proposed church from a block of Plasticine.
That design, with full committee approval, went to the Christchurch architect, a man by the name of Harman, to prepare working drawings.  In 1934, Mr Harman called tenders for the construction of the church we see today.

Fred Trott, who in conjunction with his wife, owned the Tekapo Hotel, or in the absence of a liquor licence at that time, it was officially known as Tekapo House.  Fred who had been a builder working in Geraldine prior taking over Tekapo House, submitted his tender for the construction, which was duly accepted. 

Dr Campbell West-Watson, Bishop of Christchurch, blessed the proposed site for this new church during a special open air Church Service, held on 15th January 1935.
That service was conducted in the presence of His Royal Highness Prince Henry, Duke of Gloucester, and it was he who laid the foundation stone. 

Jack Miller, Les Loomes and Bill Blissett performed all stonework on this building, with the material collected from around the foreshore by a band of enthusiastic volunteers.
The roof construction is of New Zealand Rimu timber, milled on the West Coast of the South Island and hand hewn on site prior to soaking in a preservative solution of linseed oil and tar.
The architect also designed the pews and communion rail, along with the vicar’s prayer desk and seat.  Apart from the pews, which were built on the site by Doug Rodman, while Harry Foden, in his factory at Fairlie, constructed the remainder of the furniture?

Large blocks of Oamaru stone, previously transported to Tekapo by horse and dray, were hand crafted into the font and altar.  The font was designed and carved in the memory of those shepherds, musterers and station hands that pioneered the Mackenzie, depicting their determination and fortitude, in the face of what must have seemed insurmountable odds.
The vicar’s prayer desk and seat, were presented in memory of those women pioneers of the Mackenzie, whose courage at the side of their menfolk, opened the Mackenzie up to what it has become today.
This little church typifies the rugged character and the harsh surroundings of the Mackenzie and commemorates those who have gone before.

As a matter of interest, the name, ‘Church of the Good Shepherd’, comes from the Alter, where a dynamic and powerful carving, portrays Jesus Christ as the Son of God, Good Shepherd of the Gospels



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